None of these one-dimensional slackers are remotely interesting as individuals, but together they give the reader a sense of the seedy, artsy world Kerouac and Burroughs inhabited in New York during the war years. And so these, really, are the only reasons to read this undistinguished book: for the period picture it provides of the city — think of Billy Wilder’s “Lost Weekend” crossed with Edward Hopper’s “Nighthawks” — and for the semi-autobiographical glimpses it offers of the two writers before they found their voices and became bohemian brand names.
*alternate title: I should read the NYT more or I will lose my cultural-elistist-amerikkkahating card.
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